A not that coherent feelingspiral about how terribly written Gaius Baltar’s entire s4 plot is; aka: FUCK THIS CULT SHIT. 

I’ve never seen such a blatant instance of losing the plot as s4 Gaius—it’s like they forgot about what the point of Gaius was and tried to cobble together a character thesis out of confused hindsight. It’s killing me because he had such a clear, consistent place before, and every now and again I can see it in glimpses amidst the yards of stupid cult bullshit; at least once every episode, there’s a moment of you! you! I see you, I see the point of you, have they remembered the point of you?—and then, no, no, it blinks away into another fucking miracle, another fucking weirdly sincere Jesus tableau, another fundamental fucking misread of THE ENTIRE POINT OF GAIUS BALTAR.

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VALENTINE: She didn’t have the maths, not remotely. She saw what things meant, way ahead, like seeing a picture.SEPTIMUS: This is not science. This is story-telling.
Arcadia (London, 2009)

VALENTINE: She didn’t have the maths, not remotely. She saw what things meant, way ahead, like seeing a picture.
SEPTIMUS: This is not science. This is story-telling.

Arcadia (London, 2009)



let the less-loving one be me


isabel. 20. machine woman problems. en passant
ASK & SUBMIT & INTRO & LJ

queens and huntsmen, physicality stanning, theater feelings, hilarious myopia, nonstop verbosity, delusions of grandeur. fictional moral compass not found.

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